The Spectacular of Vernacular

The Spectacular of Vernacular
October 7 - December 31, 2011
This traveling exhibition focuses on the role of vernacular forms in the work of 25 contemporary artists who utilize craft, folklore, and roadside kitsch to explore culturally specific iconography in the context of an increasingly global world of art. The exhibition will look closely at this particular brand of culture known as the vernacular, a term used to describe amateur or regional forms of expression that tend to be more homegrown than high-end. From dime-store plaques and snapshot photography to the objects attending folk rituals, these items often possess a warm familiarity. Yet for the artists who take them on as subjects, these humble forms can become nuanced and loaded symbols, offering clues about who we are and where we live. The culture of today provides a vast source material of readily accessible and mass-produced goods, which is in direct contrast with the tangible, locatable reality addressed by the artists in The Spectacular of Vernacular. In a world that is increasingly networked, with influences flowing in from an endless stream of sites and sources, the issue of what remains particularized, even regionalized, is an open question—and one among many that artists engaging the vernacular seek to address.
The exhibition is organized by the Walker Art Center, Minneapolis.
Press:
Image: William Eggleston, Untitled (Steak Billboard) Memphis, TN, 1973. Dye transfer print. © Eggleston Artistic Trust. Courtesy Cheim & Reid, New York.
The Spectacular of Vernacular Members Opening
October 7, 2011
Timelapse by: Andy Foster
This exhibition is presented at the Montclair Art Museum with major Exhibition Angel support from The Mr. and Mrs. Raymond J. Horowitz Foundation for the Arts, Inc.
Additional generous Exhibition Angel support provided by the Vance Wall Foundation, Bob and Bobbie Constable, Jacqueline and Herb Klein, Tracy Higgins and James Leitner, Karen and Larry Mandelbaum, and Margo and Frank Walter.
Sub Navigation
- On View
- Traveling
- Upcoming
- Past
- George Inness: Private Treasures
- Marina Zurkow: Friends, Enemies, and Others
- Stacy Pearsall: Selections from Baqubah, Iraq
- Engaging Nature
- The Spectacular of Vernacular
- Robert Mapplethorpe Flowers: Selections from the JPMorgan Chase Art Collection
- Warhol and Cars: American Icons
- Will Barnet: Centennial Celebration
- Potters, Patrons, and Promises: Gifts from Audrey and Norbert Gaelen
- A Force for Change: African American Art and the Julius Rosenwald Fund
- What Is Portraiture
- Dulce Pinzon: The Real Story of the Superheroes
- The Wyeths: Three Generations
- Living for Art: The Dorothy and Herbert Vogel Collection
- American Figurative Works 1908-1940: The Soyer Bequest
- Cezanne and American Modernism
- Myths, Memories, and Inspirations
- Out of the Vault: 95 Years of Collecting at MAM
- Reflecting Culture: The Evolution of American Comic Book Superheroes
- Will Barnet: Recent Works
- Morgan Russell and His Modern Mentors
- Eloquent Vistas: The Art of Nineteenth-Century American Landscape Photography
- Drawing Friends: Hedda Sterne's Portraititis
- Tribal Roots in the Garden State: 2008 New Jersey Arts Annual Crafts
- Kay Walkingstick's American Abstraction: Dialogue with the Cosmos
- Philip Pearlstein: Objectifications
- Anxious Objects: Willie Cole's Favorite Brands

