Curators

Kate Kraczon is Chief Curator at the Montclair Art Museum (MAM), where she leads the Museum's exhibition program and collection initiatives. With more than two decades of curatorial experience, she is recognized for developing ambitious exhibitions that bring internationally acclaimed artists into dialogue with regional and emerging voices while fostering meaningful community engagement.

Before joining MAM in 2026, Kraczon served as Director of Exhibitions and Chief Curator of the David Winton Bell Gallery at Brown University, where she oversaw the University's exhibition program, permanent collection of more than 7,000 works, and Public Art program. During her tenure, she expanded institutional partnerships and philanthropic support while organizing major commissions, interdisciplinary collaborations, and exhibitions featuring internationally recognized contemporary artists.

Previously, Kraczon was Laporte Associate Curator at the Institute of Contemporary Art at the University of Pennsylvania, where she organized more than 30 exhibitions and authored eight exhibition catalogues. Her projects included Ree Morton's first major U.S. retrospective in more than three decades, as well as award-winning exhibitions featuring artists including Nicole Eisenman, Karla Black, Becky Suss, and Suki Seokyeong Kang.

Throughout her career, Kraczon has championed contemporary artists through innovative exhibitions, scholarly publications, and collaborations with leading cultural institutions in the United States and abroad. At MAM, she is committed to advancing an ambitious curatorial vision that connects artistic excellence with community relevance and expands opportunities for audiences to engage with contemporary art.

Dr. Gail Stavitsky has been affiliated with the Montclair Art Museum (MAM) since 1994 and now serves as Chief Curator Emerita. During her tenure, she led the Curatorial Department and stewarded the Museum's American Art Collection. Recognized as a leading scholar of American modernism, Dr. Stavitsky curated and served as the primary author for Matisse and American Art (2017), the first exhibition and catalogue to examine the profound impact of the French master on American artists from 1907 to the present. She also led the curatorial team for Cézanne and American Modernism (2009), the first exhibition and publication to fully examine the influence of Paul Cézanne on modern American artists from 1907 to 1930. Dr. Stavitsky curated the first comprehensive retrospective of Will Barnet's work in 2000 and authored the accompanying catalogue, Will Barnet: A Timeless World.

Recent exhibitions curated by Dr. Stavitsky include vanessa german:...please imagine all the things i cannot say...(2023) as well as George Inness: Visionary Landscapes, and Tenacity & Resistance: The Art of Jerry Pinkney (both in 2022). Among many other MAM exhibitions, she also curated Conversion to Modernism: The Early Work of Man Ray (with Francis Naumann, 2003), Precisionism in America 1915 - 1941: Reordering Reality (1994), Roy Lichtenstein: American Indian Encounters (2005), Reflecting Culture: The Evolution of American Comic Book Superheroes  (2007), and Philemona Williamson: Metaphorical Narratives  (2017), all of which had companion catalogues. She also co-curated, with Laurette McCarthy, The New Spirit: American Art in the Armory Show, 1913 in 2013 and co-authored the catalogue.

Before joining MAM, Dr. Stavitsky served as curator for exhibitions at the Carnegie Museum of Art, The New York Public Library, The Metropolitan Museum of Art, and Grey Art Gallery at New York University. She has written extensively for numerous publications and holds a Ph.D. in Art History from the Institute of Fine Arts–New York University.

Laura J. Allen leads research, stewardship, exhibition, and community relationships for MAM’s historical and contemporary Native American Art collection. Since her appointment in 2021, she has curated the reinstallation of this collection—Interwoven Power: Native Knowledge / Native Art (2024)—among many projects. These include the presentation and catalogue of Nadia Myre's first major solo exhibition in the United States, Nadia Myre: Analog/ues (2026), Meryl McMaster: Chronologies (2023), and MAM's presentations of From My Home to Yours: Caroline Monnet and Laura Ortman (2022) and Color Riot! How Color Changed Navajo Textiles (2021).

Her research and publications examine the visual and material culture of the Native Northwest Coast and Northeast as well as Indigenous and intercultural dress, fashion, and textile histories in the Americas. Themes in her research include material sovereignty, resurgence, colonialism, transcultural exchange, and the collection, circulation, and display of cultural objects and designs.

Previously, Allen served as the Curatorial Associate for the reinstallation of the American Museum of Natural History’s Northwest Coast Hall, and has supported the University of Alaska Museum of the North, the State Museum of Pennsylvania, the Penn Museum, Columbia University, and other organizations on exhibition and research projects. Allen holds an M.A. in Decorative Arts, Design History, and Material Culture from Bard Graduate Center with a focus on critical and collaborative museological practice and is a visiting faculty member at Montclair State University.