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MAM’s bimonthly series, Spotlight on the Collection, highlights artworks from the permanent collection and original scholarship by MAM staff.

Image		Toy Animal (1947) by William Baziotes William Baziotes was a key figure in the emergence of Abstract Expressionism in New York during the early 1940s. Prompted by Surrealist émigré Roberto Matta Echaurren, Baziotes and other colleagues, including Motherwell, Lee Krasner, and Jackson Pollock, began to experiment with spontaneous methods of painting.
Image		Euclidean Gris Gris (Tropic of Entropy) (2019) by Todd Gray Dividing his time between Los Angeles and Ghana, Todd Gray uses photography, performance, and sculpture to investigate the dynamics of power in relationship to the African Diaspora.
Image		Untitled (2020) by vanessa german german's primarily female power figures explore themes of strength, love, and justice while engaging with the complicated history of race in the United States.
Image		Three Witnesses (1931-2) by Ben Shahn Absorbed by social and political concerns, Ben Shahn, the twentieth century New York City-based artist, often addressed important events through his art.
Image		Day in Midwinter (1945) by Charles E. Burchfield Like Henry David Thoreau, whose writings inspired him, Burchfield saw nature as a source of spirituality and was especially awed by the changing of the seasons.
Image		Skunk Cabbage (1927) by Georgia O’Keeffe In the painting Skunk Cabbage from the 1920s, Georgia O’Keefe created an immersive experience of nature through the simple combination of thick green lines, yellow accent highlights, and maroon circles and semi-circles.
Image		Crown for the Victor (1896) by William Couper With Crown for the Victor (Beauty’s Wreath for Valor’s Brow), Couper perfected his neo-classical style by crafting an ornate Greek maiden weaving a crown of olive branches for an Olympic victor.
Image		Misty and Joey at Hornstrasse, Berlin (1992) by Nan Goldin Simultaneously intimate and iconic, Goldin’s photo of her friends and drag queens, Misty and Joey, is part of a series of photographs capturing the artist’s friends and lovers navigating love, sex, and relationships in the era of AIDS.
Image		Camera Obscura Image of Brookline View, in Brady’s Room (1992) by Abelardo Morell For more than 30 years, Cuban-American photographer Abelardo Morell has captured the magic of photography through the camera obscura...Since the early 1990s, Morell has transformed rooms, beginning with his home in Brookline, Massachusetts and expanding to places far-flung across the globe.
Image		Doll (1941) by Artist Once Known (Diné) Diné women began adapting Euro-American wrapper dress styles with full skirts into a new look that expressed Navajo values and artistry: a velveteen blouse with silver buttons paired with a floor-length tiered skirt, as seen here.
Image		Borrowing Animals (1970) by Jim Dine Employing recognizable motifs, including tools, clothing, and stylized hearts, Dine produces an array of colorful paintings, collages, prints, and sculptures. His works draw inspiration from popular culture and commercial imagery, transforming ordinary items into extraordinary works of fine art.

 

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